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Galileo · SoftNel

One light.
Every shadow.

One light, every shadow, no compromise.

From a hard shadow to a soft one without changing fixture, without changing position, and without touching the set.

Galileo SoftNel, switched on: the Fresnel center and the soft ring lit together

The shadow becomes a parameter

On a Fresnel the fixture decides the shadow: hard, and that's it. On a soft light it's diffused, and that's it. Going from one to the other means changing fixture, or adding diffusion in front. Galileo keeps both sources on the same axis and controls them separately: the shadow moves from crisp to soft continuously, and every step in between is a working position, not a compromise. You set it from the console, with the set standing.

Every position in between is a working position.

When the background changes, the shadow changes with it

In studios with an LED wall or a dome the background doesn't stand still: a cloud passes, the light drops, the sun comes back. If the light on the subject stays exactly the same, the eye notices before it understands why — and what usually gives it away is the shadow. With Galileo the shadow follows the background live, from the same fixture: it softens as the cloud passes and comes back crisp when the sun returns.

A Fresnel and a ring, on the same axis

A true Fresnel lens at the center; around it, a ring of soft light. Two independent engines emitting from the same axis — which is why the two lights never split and the shadow stays single while it changes nature. It's a category that had no name: we called it SoftNel, and it is patent-protected.

Galileo SoftNel, side view, switched off

Galileo SoftNel

Same scene, only the light changes

The cycle: sun, cloud, sun again

Same scene, same bouquet, the same fixture in the same position: only the light changes. The cycle runs from the hard shadow of the Fresnel to the soft one of the ring, and then comes back — and the way back is not the clip rewound: climbing towards hard light draws shades of its own. Walk through it, stop by stop.

The cycle, running. The source goes from the small Fresnel — hard, drawn shadow — to the wide soft ring that wraps the subject, and then comes back. Nothing else moves in the shot: same framing, same position, same level, same white. The only variable is the size of the source.

The five stops of the cycle

The clip shows the continuum; here the passages are taken apart one by one, on the shots from the working prototype.

A bouquet lit by the Fresnel engine alone: its shadow falls on the wall with sharp, clearly drawn edges 01 · Fresnel only
Outbound · where it starts

The hard shadow

Only the Fresnel engine is working. The bouquet stands out crisply against the wall: defined edges, every leaf readable inside the shadow. This is light with character — it sculpts, and it forgives nothing.

The same bouquet with both engines working: the shadow on the wall is still readable but its edges have opened up 02 · Mix
Outbound · the passage

The edges open up

The Fresnel comes down, the ring comes up. The edges stay readable but they start to open, and two qualities of light live on the subject at once. This is not a switch between two states: the whole continuum sits in here, and every point along it is a working position.

The same bouquet lit by the soft ring alone: the shadow on the wall is barely perceptible, with no edge left 03 · Soft only
The turning point

The shadow almost dissolved

Only the ring is working. The shadow is barely there on the wall and the light wraps around the subject: no hardness left. This is where the cycle turns — you can stay here, or come back.

On the way back, the same bouquet with both engines working: the shadow is gathering its edges again out of the near-dissolve 04 · Mix, returning
Return · the passage

The shadow gathers again

Out of the near-dissolve the edges come back, but the gradation is not the one from the way out: climbing towards hard light is a story of its own, with its own way of pulling the edges together. Same stretch of road, different reading — which is why the cycle is worth walking in both directions.

End of the cycle: the bouquet under the Fresnel engine alone again, with the same hard shadow it started from 05 · Fresnel again
Return · where it ends

The circle closes

The shadow is hard and crisp again: the cycle ends where it began. No change of fixture, no diffusion in front of the lens, nobody walking onto the set. From the desk, with the set standing.

This is the opening frame again: the shadow has come back to exactly where it was.

1 / 5

The five stops are the pillars of the cycle: in between, the fixture travels through every intermediate shade.

Galileo SoftNel with the ring and the center at two different white points

Center and ring at two different whites

The pre-production unit

One step from the definitive Galileo

Two engines on one axis — the hard shadow of the Fresnel, the soft shadow of the ring — in a single body. The unit coming to Amsterdam is the closest Galileo yet to the fixture it will become. These are the figures it carries.

  • 185 W + 185 W to LED — one engine for the Fresnel, one for the ring
  • 2,800–6,600 K with CRI >95
  • Fresnel beam 14°–60°
  • Independent color temperature per engine — center and ring can work at two different whites, as the photo shows

Figures from the pre-production unit. Full specifications will follow with commercial availability.

See Galileo at IBC

Amsterdam, 11–14 September 2026

Galileo takes center stage at our booth: switched on, adjusted live — and you move the shadow yourself.

Book a demo at the booth

Galileo comes out of the same optical work as our Fresnels: the same care on the beam, the same idea of a shadow.

Explore the De Sisti Fresnels →